GigaPan becomes “GigaPain” as Toronto photographer produces world’s largest picture of shelves.

Derek Shapton world's largest GigaPan photo of shelves

The world's largest photo of shelves produced with GigaPan and photographed by Derek Shapton


When one of Derek Shapton’s clients called him saying he had seen an article about a robotic panoramic head called the GigaPan and he wanted to use the idea as a basis for a new website, Shapton thought it was a cool idea. What the Toronto photographer didn’t know at the time was that the cool concept would quickly turn into a nightmarish “GigaPain”.

The GigaPan is an automated camera mount that the manufacturer says makes it “easy” to capture epic panoramic landscapes. It generates extremely high resolution gigapixel images that allow viewers to zoom deeper and deeper into a landscape and explore the terrain in minute detail. Shapton’s client was a Toronto based design studio called Castor, who are well known for their lighting and furniture designs. So when they started planning, the concept was to use the GigaPan as it was intended and create some epic landscapes of Toronto, with Castor products stationed in various neighbourhoods throughout the city. Cool, right?

However, what sounded great on paper, quickly evolved into a logistical nightmare. Between choreographing the various sites, obtaining permits on the number of streets involved, and planning for weather and traffic delays, they soon realized it simply wasn’t going to work. The other problem was that the final image would look pretty much like every another Gigapan photo, and that’s not what Shapton or Castor wanted. They wanted to create something new and original.

So they went back to the drawing board and began to realize there is truth in the old axiom “less is more”. Instead of shooting epic landscapes of the largest city in Canada, they would simply shoot some shelves! “The idea was that we would style them with various pertinent — and impertinent — props, and visitors would be able to zoom in and explore the image,” says Shapton. “As a bonus, there seemed to be no precedent for using a Gigapan in a studio-based manner like this, which we found rather appealing.” Unfortunately, he soon discovered there were some very good reasons why no one had ever tried something like this before.

The main problem on the shooting side was the Gigapan itself. First of all, they couldn’t find any in Canada. They did eventually find one and had it shipped it up here, but then they had to figure out how to use it. “Usually when I work with a new piece of gear I consult with assistants or photographers who’ve used it before,” says Shapton. “But nobody I talked to had ever even seen one.” The other main problem was that the Gigapan is simply not designed for shooting anything close-up, and it quickly turned into a huge pain in the ass. At 75000 by 60000 pixels (4500 megapixels / 4.5 gigapixels) the final image is, as best as Shapton can tell, the largest photo of shelves ever taken. The gargantuan file generated was an utter horror to work with. It took fifteen minutes or more to merely open, and then the various perspective, parallax, and stitching errors introduced by the short camera-to-subject distance had to be corrected individually. Even the tiniest edits took up to 20 minutes to render, with more elaborate adjustments taking even longer. As various photoshop layers were added, the file ballooned in size and they had to resort to working on it in sections… and that was just the retouching.

Producing the image was complicated enough, but when it finally came time to incorporate the finished photo into Castor’s website the nightmare continued. The design team at Taxi2, the interactive division of the Taxi ad agency, had signed on to develop the site, and by all accounts it was a titanic development project. Shapton shot the image in July of 2011 and the site has just launched now. So a lot of man-hours were burned up behind the scenes.

The results are really pretty amazing, so please take some time to explore the page on Castor’s site. There are all sorts of Easter eggs hidden and scattered throughout, as well as old cameras and other photo related content to discover. I was checking it out last night and the detail when you zoom in is absolutely incredible. It’s really a lot of fun to just scroll around and explore the epic “landscape” Shapton and his team created on a simple set of shelves.

Castor website

Castor website featuring GigaPan image by Derek Shapton

Toronto photographer Mark Zibert shoots “Unstoppable” campaign for Paralympics

Canadian Paralympic Committee Unstoppable Mark Zibert

Canadian Paralympic Committee Unstoppable campaign photographed by Mark Zibert

Toronto photographer and director Mark Zibert shot the “Unstoppable” campaign for The Canadian Paralympic Committee. Zibert teamed up with BBDO Toronto to produce the print ad above,as well as a TV commercial. The TV spot was a huge production that even surprised the talent, paralympic runner Alister McQueen, and was described by one participant as the most challenging project they’d ever worked on. The video was shot in one continuous take on a rainy Toronto night and the entire set was mapped in 3d before the shoot for a quick and easy build.

Here’s a behind the scenes video showing the making of the commercial with the finished spot at the end.

Four Canadian photographers produce original images for BMW Art Auction

BMW is a supporter of the Scotiabank CONTACT Photography Festival and as part of this year’s festival they invited four Canadian photographers to create images of a new BMW. This is part of a tradition that started in 1979 when BMW and Andy Warhol collaborated to produce the first BMW Art Car. This year the Canadian photographers were given five hours to photograph a new BMW using their own distinctive vision. The result? Nine one-of-a-kind Canadian prints that celebrate automotive beauty as well as the ingenuity and freedom of creative expression. The prints are the latest collection for the BMW Art Auction and proceeds will benefit the Air Canada Foundation.

In the videos below, we go behind the scenes with the four photographers and get a glimpse of their creative process. To view the finished images please visit: http://www.bmwartauction.ca/

Jesse Louttit: With a gift for capturing uncommon landscapes, Jesse seems to want to create interesting narratives almost as much as he wants to create breathtaking images. By placing a powerful BMW 7 Series in Toronto’s gritty port lands, and then cloaking it in smoke, Jesse is inviting viewers to invent their own mysterious storyline. To see more of Jesse’s wonderful work, visit jesselouttit.com.

Javier Lovera: Born in Colombia, and trained in aerospace engineering, Javier has spent his career working primarily in fashion photography. To bring his vision to life, Javier teamed with Derooted Labs and, with a BMW 6 Series, found an innovative way to merge both his passion for science and his passion for photography. More of Javier’s beautiful photography can be found at javierlovera.com.

Zach Slootsky: With the speed and flair of a photojournalist and the eye of an artist, Zach traditionally captures the pulse and energy of the city. For his collection, he parked a BMW 7 Series in Toronto’s High Park. Then, using a hand-built kaleidoscope rig, he blended sky, nature, and engineering into a stunning abstract that is as bewildering as it is unforgettable. Visit zachslootsky.com to see more of Zach’s work.

Christopher Stevenson: The closer you get to an object, the more abstract it becomes. Of course, Chris has shown through his collected body of work that it can also become a great deal more beautiful. By shooting extreme close-ups of an all-new BMW 3 Series, his collection proves that the “whole” is gorgeous due to the sum of some very amazing “parts”. To see more of Chris’ photography, visit christopher-stevenson.com.

Jessica Eaton wins the Jury Grand Prize at Hyeres Festival of Fashion and Photography

Canadian photographer Jessica Eaton Hyeres

Canadian photographer Jessica Eaton has won the Jury Grand Prize for Photography at this year's Hyeres Festival of Fashion and Photography. Image © Jessica Eaton.

Canadian photographer Jessica Eaton has won the Photography Jury Grand Prize at the 27th International Festival of Fashion and Photography in Hyeres, France. Eaton, who is based in Montreal and holds a BFA in photography from the Emily Carr Institute in Vancouver, won for her series Cubes for Albers and LeWitt.

Eaton’s photos are fascinating and look like they could be paintings or the result of some kind of digital artistry, but they are entirely analog and are constructed on 4×5 film using simple rectangular gels and multiple exposures. The subject in reality is monochromatic. The photographs use a set of cubes and ground options painted white, two tones of grey, and black. Through multiple exposures the colour hues in each image have been made by exposing the film to the additive primaries of red, green and blue. The reflective value of the cubes controls the value or lightness of that hue, and the black is utilized as a type of reflective mask, holding potential on the film for other exposures.

Jessica Eaton

Image © Jessica Eaton

“I started working with the tri-colour process in 2004 or so, having found it in an old Kodak photography manual,” Eaton told the British Journal of Photography in a recent interview. “I was often frustrated by the extreme primaries and secondaries the process achieved in more simple practice, while knowing intellectually that the additive colour theory it employs was capable of producing all of the recordable tones when in registration. I was interested in the process and wanted to find a way to have more control over it… It is like no matter what I do, at least I did something that says that analogue photography can be something else — that doesn’t have to be intrinsically bound to the visible world. It is full of possibility.”

Jessica Eaton

Image © Jessica Eaton

Eaton was picked out of a shortlist of ten photographers by a jury which included: photographer Jason Evans; Wallpaper* photography director James Reid; Time photography editor Kira Pollack; and FOAM deputy director Marcel Feil. The other photographers on the shortlist included UK-based photographers Richard Kolker and Manuel Vasquez. Two other photographers on the shortlist also won prizes, with Namsa Leuba winning a Photo Global scholarship to The School of Visual Arts in New York and Florian van Roekel winning the Digital Photography LVMH Award. Check the May issue of BJP for more information about the judging process and to see images by all ten shortlisted images.

The Hyeres Festival of Fashion and Photography is now open at the Villa Noailles on the French Riviera until 26 May. it includes an exhibition of the ten shortlisted photographers plus solo shows by Jason Evans, Inez van Lamsweerde and Vinoodh Matadin, Paolo Roversi, Anouk Kruithof and Ina Jang. Visit the festival site for more details at www.villanoailles-hyeres.com/hyeres2012/.

[via the British Journal of Photography]

The “Eh” List of Canadians at 2012 CONTACT Photography Festival

Larry Towell Village elder and daughter

© Larry Towell/Magnum Photos

The 16th annual CONTACT Photography Festival officially launches tonight in Toronto. The festival has grown into the largest photography event in the world, and this year more than 1000 local, national and international artists will exhibit their work in venues across the city. A lot of great photographers from around the world will be showing off their work, but since this is a site for Canadian photographers I wanted to highlight a few of the great exhibits by some our outstanding local talent.

Larry Towell & Donovan Wylie: Afghanistan
One of my own home grown heros is Larry Towell, and his work will be showcased together with that of Donovan Wylie. Towell and Wylie are both members of Magnum Photos, one of the most prestigious photographic agencies in the world. Their exhibit features images from Afghanistan, however, the two photographers explore the consequences of the conflict from very different perspectives. Towell’s black and white photographs reveal the devastating effects of war on the citizens, soldiers, and landscapes of Afghanistan. Donovan Wylie’s colour photographs document watchtowers and operating bases built by the Canadian military for surveillance and defense of the surrounding terrain.

Larry Towell & Donovan Wylie: Afghanistan
May 5–July 8
Opening May 4, 6–8:30pm
Institute for Contemporary Culture, Royal Ontario Museum
100 Queen’s Park
Toronto M5S 2C6
Mon–Thu, 10–5:30pm
Fri, 10–8:30pm
Sat–Sun, 10–5:30pm

Lynne Cohen: Nothing Is Hidden

Lynne Cohen

© Lynne Cohen

Lynne Cohen is an American-Canadian photographer who has lived and worked in Canada since 1973, initially in Ottawa, and in Montreal since 2005. With the exception of a handful of architectural exteriors dating from the early 1970s, Cohen’s art has largely been confined to investigating the interiors of domestic, industrial, leisure, and educational institutions. Her cool, deliberate, beautiful, and intriguing images, precisely executed, and infused with uninflected light, reveal a great deal about the scope and limitations of our abilities to control chaos and make sense of the external world. They confront the contradictions and ambiguities of this often ludicrous and sometimes poignant visual drama that unfolds behind closed doors.

Lynne Cohen: Nothing Is Hidden
May 3–June 30
Design Exchange
234 Bay St
Toronto M5K 1B2
Mon–Fri, 10–5pm
Sun–Sun, 12–5pm

Johan Hallberg-Campbell: Coastal

Johan Hallberg-Campbell

© Johan Hallberg-Campbell

Raised in the Highlands of Scotland, Johan Hallberg-Campbell is a freelance photographer, living and working between Toronto and the UK since immigrating to Canada in 2007. A photographer with an enduring interest in the idea of “place,” Campbell tells the stories of the outport communities on the south-west coast of Newfoundland through still and moving images. Capturing the people and landscape, he creates a valuable document of a fading way of life.

Johan Hallberg-Campbell: Coastal
April 21–July 15
Opening April 20, 6–10pm
Harbourfront Centre
235 Queens Quay W
Toronto M5J 2G8
Mon–Sun, 10–9pm

Deborah Samuel: ELEGY

Deborah Samuel Barred Owl

© Deborah Samuel


Deborah Samuel is a Canadian photographer currently living in Santa Fe, New Mexico. Samuel’s exhibit ELEGY is a project borne out of loss and anger. Loss came with the passing of loved ones; anger, in the wake of the environmental degradation caused by the 2010 BP oil disaster in the Gulf of Mexico. After she was prevented from photographing oil-slicked birds in Louisiana, Samuel took an intimate tack, placing the skeletons of avians and other animals on a flatbed scanner. The resulting series of images capture a meditative and haunting portrait of natural fragility, a narrative of survival and death that speaks to the struggles faced by all living creatures. Depicting the beauty of the natural form and the complexity of the structures that sustain life on our planet, the exhibition features a selection of 33 photographs, including ten commissioned by the ROM using specimens from their collection.

Deborah Samuel: ELEGY
March 29–July 2
Royal Ontario Museum
100 Queen’s Park Cres
Toronto M5S 2C6
Mon–Thu, 10–5:30pm
Fri, 10–8:30pm
Sat–Sun, 10–5:30pm

Jon Rafman: The Nine Eyes of Google Street View

Jon Rafman

© Jon Rafman

Jon Rafman is a visual artist who lives and works in Montreal. Rafman’s ongoing series The Nine Eyes of Google Street View is the product of painstaking research that compiles a fascinating array of incidental moments captured by Google’s Street View cameras. When Rafman reframes an image sourced from the Google site, he reintroduces the human gaze into the picture and reasserts the importance of the individual. Often featuring people (their faces blurred for legal reasons) the artist catalogue’s everyday dramas that would otherwise probably never be seen beyond their specific location. Rafman aligns himself with the historical role of the artist to capture the moral dimension in ambiguous contexts.

Jon Rafman: The Nine Eyes of Google Street View
May 3–June 2
Opening May 3, 6–9pm
Angell Gallery
12 Ossington Ave
Toronto M6J 2Y7
Wed–Sat, 12–5pm

The shows above are from the Contact Primary or Featured Exhibitions, but there are lots of other notable exhibitions from great Canadian photographers. Here’s a few that other readers have let me know about. If you have any shows to recommend, please post a comment here, or on our facebook page, and I’ll add them to this list.

Per Kristiansen has two shows: Piles at Mjölk in the Junction and Skulls at Cava Restaurant. The Piles series continues with the theme of repetition, capturing and bringing to the forefront the uniqueness of seemingly similar subjects, while the Skulls series is a special project created for acclaimed chef Chris McDonald’s tapas restaurant, Cava. The challenge was to utilize the chef’s collection of pig skulls to create a photo series focusing on Cava’s extensive charcuterie menu and Iberian-based cuisine. Kristiansen combines high-contrast lighting and decorative arrangements to create modern vanitas that celebrate the source of a delicious food, and remind the viewer of the animal’s ultimate sacrifice.

Samantha Allen’s exhibition The Craigslist Project is at the ARTiculations: Earl Selkirk Gallery. It asks the question “what happens when you deliver great art to an unsuspecting public?”, and features a diverse collection of photographic work presented as a series of postings on the online classifieds platform. View the ads, read actual responses, and discover how compelling images and alluring text can evoke unexpected emotions and reactions.